Daily Writing Prompt

Right! Back to business! Today, we’re going to have a bit of fun with archetypes! If you don’t know the term, it is a basic type of character that you shape your characters around- the trickster, the hero, the anti-hero, the good mother, the bad mother, the shadow, etc. 
A bit of Pop Culture fun to help you get a feel for this topic; Darth Vader is a perfect example of a shadow archetype! A shadow archetype is warped, dark, twisted, blind to their own faults and flaws, as our beloved Skywalker unfortunately is. *

And for our ‘Bad Mother’ archetype, we have the Wicked Stepmother in Cinderella. If any of you are knowledgeable of Mesopotamian Myths, Tiamat falls into this Archetype- literally bad mothers that do things a normal loving mother would never do to their child. 

For the opposite archetype, the Good Mother, think of Kala from Tarzan, or Molly Weasly from Harry Potter.

The Hero and the Anti-hero are all over pop culture  and modern literature. Hercules vs Hades in Disney’s Hercules (should have been Heracles. Hercules is his Roman name), Katniss vs Snow, Harry vs Voldemort, Percy vs Kronos, etc etc. I’m sure you get the gist of what these two are. 

Lastly, we have our trickster. Cunning and quick, unconventional and deceitful, the trickster uses wit and guile to get out of situations instead of brawn. A few well known tricksters are Bugs Bunny, Dionysus, Loki, Pink Panther, and Rumplestiltskin.  

So, that in mind, pick one of the above archetypes and design your own character around it, keeping most of the base elements; bravery, wit, or wickedness. 

*My shadow archetype I describe is the Freudian archetype. If you prefer, you can use the Jungian archetype. If you don’t know who they are, look it up, because it’s some really neat psychology!

Daily Writing Prompt

A singe sentence, as many seasoned writer’s have learned, can spark an entire story and chase away the Writer’s Block. I, my self, have three works, two of which are on the blog, that were sparked by a single sentence or paragraph.

Today’s prompt: “Those eyes; I’ll never forget those eyes.” 

Write a short anecdote or several pages based on the above sentence. Tag it as “promptly written” or leave a link in the comments so I can see your work!

They say that you never forget a face. Not truly. You may think that it’s faded from memory, but some part of your subconsciousness remembers. A face in a crowd of your dreams could be a face you only glanced on the street. You may not remember them, but there they are.

I never gave the statement much thought. Dreams are just dreams; they aren’t reality. It’s funny how quickly your beliefs can change when the truth stares you right in the eyes.

Work in customer service was full of unfamiliar faces. Every day, people would come in, complain about their purchases, make returns, demand cash back. And every day I would tell myself to keep smiling, don’t let them see how much you hate your job, how unimportant and petty their ‘big problem’ is.

Every night, I’d walk to my car in the dark, perfectly safe. Never feared the all-consuming shadows, or lived with the gripping fear of being attacked by a psycho in the parking lot. What were the odds that it would happen to me, a middle aged, average woman that was, like everyone else, just a face in the crowd? Apparently, higher than I thought.

Next to the customer service desk at the Target where I worked was a small little Starbucks shop. What reason would I have to glance over at the few little chairs and tables? I didn’t believe in being paranoid about being watched. I knew I was a woman of average looks; shorter, slightly plump, as many middle aged mothers were (I was fine with it; it was a part of aging. I was no runway model obsessed with her figure). Never could I assume anyone would take an unhealthy interest in me.

And yet, one day, I found my gaze drawn to one of those chairs. A man sat there, late fifties, grayed hair, scruffy, with cold, hard eyes. He was staring straight at me over the rim of his coffee cup. I looked away immediately, my attention turning to the woman placing a bag of clothes she wanted to exchange onto the counter.

I looked back at the chair when she was gone, but the man had disappeared. I shook him from my thoughts. He was just another face in the crowd. A face I would forget by morning, never to be seen again.

But there he was the next day, same chair, staring creepily at me over the rim of that stupid cup. I turned to my coworker, asked if the man worked in the store. I’d never seen him before yesterday. But, when she looked over, he was gone. She dismissed it, saying that I shouldn’t worry about it.

That night, I walked to my car feeling uneasy for once it my life. I looked over my shoulder, locked the doors as I got in the car and sped off, checking my rear view mirror every few blocks as I drove home.

For the next three days he was there, staring at me: the same time, every single day, drinking his coffee, watching me with those cold, dark eyes. And every time I’d look away, he’d be gone, as if he’d never existed.

His face began haunting my dreams. I’d make up in the middle of the night in a cold sweat. I’d see him in the corner of my eye, but never fully. Only those eyes. Those evil, dark, empty eyes, staring me down.

It got to the point where I talked to my husband about it. I took it to my manager, but the mystery watcher was nowhere in sight on the cameras. I couldn’t believe it. He was just not there, like a ghost. He would be there, but the cameras never saw him come in, and never saw him come out.

I began to loathe him. How could he be doing this with no one noticing? What was a perfectly normal woman like me doing to deserve such harassment? He was suddenly everywhere, at work, in the store, lingering just out of sight, watching me.

And then, one day, it stopped.

He was just gone, poofed out of existence, never to be seen again. For weeks afterwards, I looked up at that chair, over my shoulder as I left work and got home. But he was gone.

I never forgot those eyes, empty, black orbs staring at me unfeelingly. There was no life to those eyes. They were evil.

My life was ordinary once more. I stopped fearing being watched. I forgot all about the man in the chair, haunting me wherever I went. Nothing seemed wrong anymore.

Until I saw those eyes somewhere else.

My mother fell ill. We moved in with her. My young son and I were unpacking some old pictures to put up on the wall and organize later to put in family albums. He pulled out an old black and white photograph of my grandmother as a young girl. And, standing behind her was a middle-aged man I recognized straight away; the man that had tormented me for weeks with those unblinking staring terrible eyes.

My grandmother told me stories of her stepfather when I was young. He was a nasty man, with a terrible temper and disgusting habits. He was a sadist, interested greatly in black magic and demons, fascinated with the evil nature of the spirit world. Her mother killed him with a baseball bat to the head one night. The police never arrested her, never questioned why she did it.  

But, three nights later, they found her in bed, nasty bruises around her neck, strangled to death. The killer was never found, but my grandmother knew the killer could never be caught; he was already dead.

The house my mother lived was her mother’s childhood home. The house felt peaceful, up until I saw the picture and all those scary ghost stories suddenly came flooding back to me. After the disturbing find, I could never sleep in the house. I started seeing those eyes again; lurking everywhere, just out of sight.

Coming home one night, I found my family outside, speaking with police officers. A paramedic was in the house. They were loading someone up into the ambulance. The lights were off as they drove away.

My mother was found in her bed, no pulse, no breath. The police wanted to arrest my husband, but he had arrived just minutes after the police arrived. She was barely even cold when they found her.

They found no trace of my husband’s DNA on her. No bruises around her neck; she had simply passed peacefully in her sleep. But I knew better; my mother slept in her grandmother’s room, the same room where she was found strangled to death fifty years ago. My mother was on oxygen. She couldn’t have just stopped breathing on her own. It didn’t make sense.

Things in the house got worse. I would hear voices everywhere. But it was only me who heard those whispers- angry disembodied voices, muffled shouting and banging, like a man having a tantrum in another room.

I locked the door to my mother’s room, forbade anyone from sleeping there. I burned the pictures of my great-grandfather, had a priest cleanse the house, had psychic after psychic come into the house, only to say that the house was empty, there was nothing there.

But I could still hear those voices, feel him lingering around every corner, watching me with those staring, unblinking evil eyes. What did he want with me? Why was he doing this?

I bought book after book on the subject of ghosts and demons and everything else classified as paranormal. I held my own EVP sessions, left sensors around the house, video cameras.

But nothing ever happened.

My children never saw anything, nor did my husband hear the voices, see the shadows lingering in the corners. They started thinking I was crazy, sent me to the doctor, to a therapist, to a psychologist. They, too, called me crazy. I had never met my great-grandfather, had no possible way for his spirit to attach to me

But, I knew what I was hearing, what I was seeing, what I was feeling, was real. It had to be. I saw those damn eyes every time I closed mine- black, empty, evil. Even when they packed me away to get ‘help’, I saw him, staring, watching, hating. I could never escape those eyes.

Gently as She Goes

The moment was a blur. There she was, across the street, waving, smiling. She looked just like our mother -long, thin face framed with dark hair, but without the hollow eyes of an ex-meth addict. She had our father’s brown eyes, without the nasty glaring squint to them. One step and then she was gone. Lights out, only a few words spoken, falling in slow motion.
I had never met my sister. Not that I could remember. I was five and she was nine when we were taken from our drug-crazed mother and alcoholic father. We were sent to separate homes. I was adopted by an older couple from Scotland, she went to live with our maternal uncle in New York.
Then, out the blue some thirty years later, she tracked me down. Shocked, I responded. Two weeks later I was on a plane from London to New York City.
She was engaged, building a career as a lawyer. I was married with two children -a three year old boy and one year old girl- and a budding writer, my sixth book only months away from release.
I spent the whole flight figuring out what to say to her. How do you greet someone you barely remember; a person you’d only seen pictures of, but nothing more?
But, all the muttering, all the scenarios in my head never came to light. The light was red. She took a step off the curb. And then she was gone.
I built my career off of writing tragic stories; heroes that lost it all to defeat a greater evil – loved ones, friends, even their own sanity. My wife would come into my office and find me in tears, so in love was I with my tales, connected to the characters I wrote.
But none of the scenes I wrote, the grand schemes I plotted, prepared me for the real thing.
She called my name. “Joanne! Joanne!” She waved energetically to get my attention. I waved back, called her name. “Margret!” My first word spoken to her in thirty years, and my last.
I almost didn’t go. My wife, Jane, was the one who convinced me that it was necessary, to reconnect with my sister, to make peace with a past I did not remember yet still haunted me.
So, off I flew to meet her. And the only closure I got was saying her name before it was all over.
The moments leading up to her death happened in slow motion, like a corny cinematic shot. The car slammed into her, and she flew, with far more grace than seemed appropriate. People screamed, but their voices were distant. All I saw and heard was my sister rolling to a stop, her phone and purse clattering to the ground.
She was dead on impact. Paramedics took her away. I was in shock the whole way. Her fiancé, an editor named Paul, met us at the hospital. We shook hands, and for a long time, we sat in silence. His words shocked me when he finally spoke.
“She read all your books,” He said. “Margret bought every one.”
“She knew I was a writer?”
“She kept tabs on you for years. I only just convinced her to talk to you. She had loads of pictures of you from over the years. Your parents would send them to her, along with letters, but she’d never write back. Too scared, she said.”
“I never knew I had a sister until a few weeks ago,” I stared at the cracked phone screen in my hands. The lock screen was a picture of Margret and Paul. They were standing in front of a beautiful log cabin in northern New York; their new house, Paul explained. They were getting married in December. Now, instead of a wedding invitation, I could expect a funeral invitation in the mail.
After a few hours more of talking, I left the room to call my wife. I switched my flight to return to London the next day.
I cried the whole flight home. My characters all grieved when they lost their companions, be it family, friends, or lovers. But they’d go one alone, and defeat their enemy. They faced their demons alone.
Jane picked me up from the airport. Our son ran up to me, hugged me round the neck with chubby toddler arms. I kissed Jane on the cheek, planted a kiss on our daughter’s forehead and left.
She did not press me for details. The drive home to our flat in Edinburgh was quiet. I slipped into my office, sat in front of my computer, and wrote. By the time I was done, I had written just two paragraphs
“As a writer, emotion is everything. You have to know how to grip your reader if you want them to love your stories like you do. You have to learn to put feelings into words. To create a sense of grief, you must know what grief is, felt it, and learned how to capture it in a subtle phrasing that flows smoothly, and brings the reader to tears. I thought I knew how grief felt, truly grasped it. I have now realized how wrong I was.
“I thought the death of my parents was what really gave me a feel of grief. On July twentieth, at a quarter past four in the evening, my world and perception of the word was shattered. The death of my sister, a woman I’d never known my entire adult life, has forever changed the way I perceive grief. ”

An Ode to Cats

Dear Kitten,

Why do you hide under the chair

And lash out at my ankles bare?

That hurts, dear kitten, so please beware

Lest you wish to find yourself flying through the air.

Why must you play in dark of night,

And howl as though you’ve got the blight?

Please sleep, dear kitten, it’s quite alright

To play during the day, and sleep away the night.

Why do you lay in all my clothes

And ruin all the books’ neat rows?

Please stop, dear kitten, ease my woes

Your fur’s in all my clothes, and books are on the floor.

A Daily Writing Reminder

What most budding writers need to learn is when enough description is enough. The reader needs something they can imagine, but too much description ruins the fun of imagining the character. It leaves very little to their imagination. The exact color of every character’s eyes is not of the utmost importance. The color of their hair? “Flowing locks of golden-blond hair cascaded around her face, glistening in the sunlight” is not necessary when introducing a new character with blond hair. Don’t info dump. Leave some description out for later. It’s a lesson that took me a bit to learn as well.